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Friday, December 11th, 2009
cry out.
londonist
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3:45p In Pictures: Courvoisier Architechtural Punch Bowl
http://feeds.gothamistllc.com/click.phdo?i=5ed05e5d026feeebf83d2d84543cd8e7 http://londonist.com/2009/12/in_pictures_courvoisier_architechtu.php It's hard to think about an objective review when you're floating on 4,000 litres of pungent mauve cocktail, becoming slightly dizzy as you spin around on your orange raft and the heady smell of punch wafts into your nostrils. In fact, it's very hard to think anything but 'wheeeeeeeeeeeeeeeeeeee!'
The Courvoisier Architectural Punch Bowl, staged by the endlessly creative Bompass & Parr, was a joy to visit. Perched in a townhouse designed by the great Robert Adam, the punch bowl was a swimming pool-sized vat of fruity cocktail, whose hints of winter spice were perfect to combat the chilly day outside. The event aimed to recreate the oversized punch served by admiral Edward Russell to 6,000 guests in 1694, although the modern version did have the added bonus that guests could clamber aboard a giant, garnish-shaped raft and bob around on top of it. (We were, admittedly, relieved to note the strict regulations against swimming in the punch - we're not sure the average Londoner would have added anything to the flavour..)
Overall, it was a fun experience which confirmed Bompass & Parr's reputation as the kings of pop-up, although if they do ever want to expand on the concept further we think it would be an awesome idea for the next series of Takeshi's castle.
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cry out.
cry out.
londonist
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2:30p Theatre Review: Morecambe @ The Duchess Theatre
http://feeds.gothamistllc.com/click.phdo?i=defe84b3f6baceccd6c84e5203a6ff71 http://londonist.com/2009/12/theatre_review_morecambe_the_duches.php Bob Golding plays Morecambe at the Duchess Theatre this Christmas We've put together a quick quiz to determine whether you're the sort of person who'll like Morecambe at the Duchess Theatre.
1. Do you think Jimmy Carr's comic technique of quick one-liners is
a) new, unique, and a bit hard to follow
b) part of a wonderful, near-ancient music-hall heritage of fantastic comics that you love to see perform. If only he did a bit less of that swearing
2. Someone gives you a paper bag. Do you
a) recycle it
b) feel an irresistible urge to hold the bag open with one hand, look for a suitable audience, pull an imaginary ball from your pocket with the other hand, which you curve into the air, eyes wide, ready to perform that gag...
3. When it comes to theatre attendance, are you
a) always heading to BAC or Shunt to see the latest experimental theatre in London?
b) my dad?
Morecambe is the theatrical equivalent of nostalgia TV channels like G.O.L.D. There's little new or original here, but it does make you feel warm and fuzzy inside.
"What do you think of it so far?" Eric asks, eyebrows waggling, Bob Golding's impersonation accurate to a tee. "Rubbish!" last night's audience (which included David Baddiel, Alistair McGowan, Dave Gorman, Matthew Kelly and Lionel Blair) chorused back with uniform glee.
Tim Whitnall's loving homage to the great British comic takes in Eric Morecambe's early life (as Eric Bartholomew, supported by a kindly, if pushy, mother), his first meeting with Ernie Wise (aged 15 and 16), their success in the Music Halls coupled with periods of unemployment and National Service. The play incorporates their early failure on TV (The People wrote "Definition of a TV set: the box they buried Morecambe and Wise in"), the heart attacks, the family life, the writers, and of course, the way they somehow came to achieve audience numbers of 28 million on Christmas Day in 1977. Can you imagine half the UK's population all doing the same thing at once today? Terrifying.
We could tell you about the glasses, the gags, the Ernie puppet, the songs, the accents, the wonderful way Bob Golding peoples the stage with a crowd of Morecambe's family, agents, fans, and other showbiz legends (Brucie for one) so this doesn't actually feel like a one-man show, but really, none of this matters. If you answered b) to all the above, chances are you've got your tickets already.
Morecambe plays at The Duchess Theatre until 17 January. Tickets from £22. Call 0844 579 1973 or book online.
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cry out.
lazy_i
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5:26a Feature story: The Price of Rock…
http://www.timmcmahan.com/2009/12/feature-story-price-of-rock.html My portion of the Price of Rock cover story written for The Reader is now online at Lazy-i, here. Go read it. I've been "involved" in The Reader's Music Issues for the past few years. Two years ago the focus was on sound guys (interviews with a dozen or so). Last year it was electric guitars (defining the six most commonly used, their distinguishing factors, their differences, their advantages). This year it's the price of being in a band. I'm sure that area musicians who already know all of this look upon these stories as rudimentary spoon-feeding to the masses. I understand that. They are not the audience (necessarily), though hopefully they recognize a lot of the information and can nod their head knowingly. Maybe they disagree, who knows. The focus was on touring indie bands. Musicians in local bands that never tour or that are in cover bands probably don't know or care about a lot of this info since they'll never have to (or want to) experience it. They have regular jobs and regular careers that pay regular salaries and provide regular benefits, like health insurance. And on weekends (or occasionally during the week) they play a gig at one of the local watering holes and pocket the cover charge as a bit of bonus money. Nothing wrong with that. Then there are the ones who feel compelled to reach further with their music, who have turned their backs on having a typical career and everything it provides in order to pursue a dream of making a living solely on stage. Those are the ones we're talking about. Brad Hoshaw, Little Brazil and Cursive were chosen because each represents a band at a different stage in its career. Though he's been playing music for years, Hoshaw said he only really began focusing on music as a living a couple years ago. Little Brazil has been doing this for five years or so with some success, and Cursive is recognized as one of the more successful local bands (Even still, Matt Maginn says that everyone in the band has a job on the side these days to make ends meet). My biggest thanks go to Brad, who shared a lot of information that many musicians would feel squeamish about sharing publicly. I think he knows as I do (whether he would admit it or not) that despite the losses, his first tour will be the one he remembers when he's rumbling across country in a tour bus headed to his next theater-sized gig. His debut album, Brad Hoshaw and the Seven Deadlies, was one of the favorites I've heard this year from any band anywhere in the country. That's because Hoshaw is a one of the best songwriters in the country. Someone at a label will figure that out, eventually. Anyway, go and read the feature, then run out and buy tickets to Sunday night's Lash LaRue Toy Drove concert at The Waiting Room, which features Hoshaw along with Cursive and the subject of yesterday's column, Capgun Coup. Tickets can be bought online here for $14. Do it quick before the show sells out. * * * Look for a weekend update wrap-up blog entry later today (probably). --Got comments? Post 'em here.--
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cry out.
cry out.
londonist
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1:00p Comedy Review: Stewart Lee @ Leicester Square Theatre
http://feeds.gothamistllc.com/click.phdo?i=c04fc2d241425202cb09c883522d4a88 http://londonist.com/2009/12/comedy_review_stewart_lee_leicester.php Image copyright Gavin Evans Yes, this show - If You Prefer a Milder Comedian, Please Ask For One - is the one that got the Daily Mail in a tizz over the summer. But after watching the full performance, the most shocking thing is coming away with evidence of just how papers willfully twist reality to shape their own ends. Stewart Lee, cruel and insensitive? Stewart Lee, boorish and ugly? What a deliberate and crass misinterpretation of what the man's about.
Because Stewart Lee, should you be young or unfortunate enough not to have encountered him in his younger, more televisually exposed days with Richard Herring, is an exquisite satirist. His laid-back, sarcastic manner suggests someone who doesn't care, but if you listen to the actual words (the words, Daily Mail) it's clear that he's pained by the facile and knee-jerk elements of our society - which he then adopts and rips apart from the inside. The effect is subtle but the method is confrontational; he faces down the audience and takes us to task for laughing at unusual moments, stopping to explain the structure of one particular joke, breaking it down into its constituent parts. Meta-comedy, if you like.
We've also got to take a moment to mention his style. That repetitious style that's so very literary. We've got literate comedians, who might chuck in a reference to Dryden or Joyce, but Lee has a rhythm to his routines that's almost poetic in its meter. And it's a measure of his talent that, even with the careful and lengthy build-up, the punchline still catches you off guard. Yes, he's clever, but not - as so often accused - clever-clever.
But what you really want to know is: is he funny? Of course he is. Would we have rambled on for several paragraphs of gushing praise if we'd sat there stony-faced, silently appreciating form and phrase? It's not a book reading. Laughs are first and foremost, provoked by a man in complete control of his craft. This really is a show you cannot miss.
Stewart Lee is on at the Leicester Square Theatre, 6 Leicester Place, until 17 January, 7.30pm (4.30pm Sundays). Tickets £15-£20. For more information see the Leicester Square Theatre website.
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cry out.
cry out.
cry out.
londonist
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10:33a How To Park Your Car, In 16 Mathematical Steps
http://feeds.gothamistllc.com/click.phdo?i=7833f000fe6eacb7489b3266f64d9e05 http://londonist.com/2009/12/how_to_park_your_car_in_16_mathemat.php The back of an envelope, yesterday.
You can tell it's going to be one of those stories right away. The article (in the Telegraph, who should know better) starts with the tell-tale 'UK boffins...'. Sigh. This time round, said boffins come from Royal Holloway College, London...and they've developed a mathematical equation that tells us how small a parking space can be to allow ingress of any given car. The formula, scrawled above, contains such terms as the radius of your car's turning circle (r), wheel base (l), distance from centre of front wheels to tip of car (k) and the width of the adjacent parked car (w). Misogynists will be disgruntled to note that gender has been factored out of the formula.
Now, any time you see a news story about a ridiculous equation, it's a sure bet that there's a company's PR team lurking somewhere behind it. Indeed, we'd develop our own equation to calculate the probability of this being the case, if only some betting company would pay us to do it. Sure enough, the parking equation coincides with a motoring survey from a well-known car manufacturer that shares its name with an area of south London. The survey, whose size and distribution are not given in the press, reveals that 15% of people find parking the biggest challenge of the festive period, while 37% would rather drive on to a more expensive parking space than attempt a tricky manoeuvre. This really is awesome research. Give that team a Fields Medal.
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cry out.
cry out.
londonist
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8:52a £1 A Day For Short Hop Cycle Hire
http://feeds.gothamistllc.com/click.phdo?i=cd3b98c8ebc0bd6735d79c4495c93d5b http://londonist.com/2009/12/first_30_minutes_free_for_cycle_hir.php We've had a good look at the lop eared, blue bikes and got excited that the foundations for the first docking stations are being laid. Now usage costs have been approved by TFL for the much anticipated Cycle Hire scheme opening in summer 2010. And lo, the first 30 minutes on a Borocycle will be free.
Indeed, for multiple short hops across the city in one day it's looking like pretty good value. A quid upfront gets you access to the Blikes and if you return yours to a docking station within 30 minutes, there's no extra charge. Even better value if you pay the £5 weekly or £45 monthly charge.
TFL's journey planner reckons you can get from London Bridge to Hyde Park in 27 minutes and Tower Hill to Bond Street in 23 minutes. As long as you can pinpoint one of the 400 docking stations, which should be found every 300m or so, as Boris says, "it's amazing how far your bike can take you in 30 minutes if you put in a bit of pedal power."
Should you get waylaid with your Darko, however, you'll be charged £35 for up to 6 hours with the maximum daily charge £50. Payments will be made by credit or debit cards to ensure late return and lost or damaged fees can be easily extracted and 'non-members' (daily and weekly users) will have to have a £150 pre-authorisation check on their card by way of deposit.
Still, with some citysense and a route in mind, we reckon the Bulkobikes could prove both nifty and thrifty. What journeys could you nail in that golden 29 minutes?
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cry out.
cry out.
hh_sugarquill
[ planetgal471 ]
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3:52a Two Physical Medium Fanarts (One for a Challenge)
Last term I was nominated for best fanartist despite the fact that I don't draw fanart. I wondered if maybe someone knew something I didn't. Maybe I had a hidden talent? So I drew these and... no, no hidden talent here.
Title: Death Summary: Sort of an abstract Dark Mark. Gryff Chat thought it looked dumb. I rather agree with them. Rating: G Medium: crayons (physical) Link: at my deviantart
Title: Snith Summary: A snitch. Gryff Chat thought it was a baseball with lungs. I guess it could be that too if you prefer. Rating: G Medium: crayons (physical) AN: For art challenge #43 (Quidditch). Link: at my deviantart
Jess//Gryffindor
P.S. I need an artist tag O.o Yus I am drinking.
current mood: drunk
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cry out.
4 have hit the alarm. - cry out.
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